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askcappyandratchet:

toss-some-jello-trossarello:

strawberry-squidd:

toss-some-jello-trossarello:

Oh.. Seems pretty violent ..

Go ahead. Watch it. Prove your doubts.

I take everything back. That was horribly scarring. And yet, I can’t stop watching.

04.17.14 ♥ 201780

Just go… It’s been fun. Don’t come back.

04.16.14 ♥ 18493
mephistos-cafe-lattes:

thequeerunderthestairs:

OH MY GOD LOOK AT THEM ALL JESUS CHRIST

look at the one just sitting all proper on the couch

mephistos-cafe-lattes:

thequeerunderthestairs:

OH MY GOD LOOK AT THEM ALL JESUS CHRIST

look at the one just sitting all proper on the couch

04.15.14 ♥ 140531
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04.15.14 ♥ 1718
That’s the problem with drinking, I thought, as I poured myself a drink. If something bad happens you drink in an attempt to forget; if something good happens you drink in order to celebrate; and if nothing happens you drink to make something happen.

— Charles Bukowski, Women (via kristallisch)

04.15.14 ♥ 4498
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zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

04.15.14 ♥ 225420